Charlotte Norwood


The research based practice of Charlotte Norwood is habitual of a theoretical, critical and journalistic nature that is often used as conceptual software to formulate fictional texts and less frequently, physical artworks. Her current project on ‘Melancholic Cryptonymy and the Aesthetic Threshold of Detectability’ investigates the work of hauntological artists and the melancholic antiheroes of literature in relation to psychoanalysis and technology as a form of encrypted and protracted mourning.

Since graduating with a BA in Fine Art and Critical Studies from Goldsmiths, University of London, Charlotte Norwood has exhibited across Europe and at Raven Row, London, has studied under Ceal Floyer at the HFBK in Hamburg, worked for Frieze magazine and guest lectured and tutored at Manchester University. She currently lives and works in Berlin.

Charlotte Norwood's events:

Melancholic Cryptonymy and the Aesthetic Threshold of Detectability- The Blue Conceptualists, The Haunted Painter and The Existential Crisis of the Cadaver.